Few actors are as tightly linked to a single decade as Burt Reynolds is to the 1970s. With his swagger, humor, and unmistakable screen presence, Reynolds became the embodiment of the era’s laid-back, rebellious cool. His films often mixed action, comedy, and a distinctly Southern charm, reflecting a time when Hollywood leaned into grit, masculinity, and anti-establishment attitudes. He’s often seen outrunning the law, playing flawed heroes, or leaning into pure absurdity, showing how Reynolds dominated the box office and pop culture alike.

These movies feature him at his peak, making them inseparable from the tone, style, and attitude of the 1970s itself.

15 Iconic Burt Reynolds Films of the 1970s

Deliverance (1972)

A brutal survival story set in the wilderness, Deliverance pushed Reynolds into serious territory. Its raw violence and unsettling tone captured the decade’s darker edge, helping redefine him beyond light roles and cementing his place as a major Hollywood star.

White Lightning (1973)

Reynolds plays Gator McKlusky, a moonshine runner entangled in corruption and revenge. With car chases, Southern grit, and anti-authority themes, the film perfectly reflects the era’s fascination with outlaw heroes and rural crime stories.

The Longest Yard (1974)

Combining sports, rebellion, and prison drama, Reynolds leads a team of inmates against guards in a brutal football game. Its mix of humor and aggression embodies the decade’s appetite for anti-establishment storytelling.

W.W. and the Dixie Dancekings (1975)

This crime-comedy hybrid leans into Southern charm and small-time outlaw antics. Reynolds’ easygoing charisma drives the film, which blends humor and crime in a way that feels distinctly tied to ’70s sensibilities.

Hustle (1975)

A gritty detective story, Hustle dives into corruption and moral ambiguity. Reynolds plays a flawed cop navigating a bleak world, reflecting the decade’s shift toward more cynical, character-driven crime dramas.

At Long Last Love (1975)

A musical experiment that became infamous for its reception, this film shows the era’s willingness to take risks. Reynolds’ participation highlights how even major stars embraced unconventional projects during the decade.

Gator (1976)

Reynolds directs and stars in this sequel, doubling down on action, humor, and Southern flavor. The film’s mix of crime, stunts, and personal vendettas reflects his growing creative control and the era’s appetite for larger-than-life storytelling.

Nickelodeon (1976)

Set during the early days of filmmaking, this comedy pairs Reynolds with Ryan O’Neal. While about another era, its tone and humor are unmistakably ’70s, embracing chaos, satire, and unconventional storytelling.

The Man Who Loved Cat Dancing (1973)

A Western with darker undertones, the film blends romance and violence. Reynolds’ performance adds intensity to a story that reflects the decade’s revisionist approach to classic genres.

Shamus (1973)

Reynolds plays a wisecracking private detective in a film that mixes noir elements with ’70s humor. Its casual tone and character-driven style align perfectly with the decade’s evolving approach to crime stories.

Smokey and the Bandit (1977)

Arguably his most iconic role, Reynolds plays a charming outlaw outrunning law enforcement in a high-speed chase. The film’s humor, car culture, and rebellious tone made it a defining hit of the decade.

  • Deliverance (1972) – Survival thriller redefining Reynolds’ range.
  • White Lightning (1973) – Southern crime drama with anti-authority themes.
  • The Longest Yard (1974) – Prison football rebellion against the system.
  • W.W. and the Dixie Dancekings (1975) – Crime-comedy blending humor and outlaw antics.
  • Hustle (1975) – Gritty detective story with moral ambiguity.
  • At Long Last Love (1975) – Musical experiment reflecting ’70s risk-taking.
  • Gator (1976) – Reynolds’ directorial debut with Southern action flair.
  • Nickelodeon (1976) – Comedy about early filmmaking with Reynolds’ signature humor.
  • The Man Who Loved Cat Dancing (1973) – Revisionist Western with darker undertones.
  • Shamus (1973) – Noir-inspired detective film with ’70s wit.
  • Smokey and the Bandit (1977) – Defining outlaw comedy with high-speed chases.

These films not only highlight Reynolds’ versatility but also capture the rebellious, anti-establishment spirit that defined 1970s cinema.